My work practice emanates from my own concerns, e.g the work idea here originates from the Theolonius Monk work ‘Round Midnight’ 1944.
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It deals with my sensitivities to everyday life experiences. I am caught in the perpetual Chocolate Machine syndrome in Marcel Duchamp’s ‘Large Glass’. Addicted to unravelling the idea of ‘Precise Ambiguity’ concerned about Wittgenstein's statement that there is no such thing as an individual language. But, I see my work as poetic forms that construct an experience.
Artist/Director ICAW based in Harlech, Wales, UK currently developing Real-Time based work using Skype to make REAL-TIME Skype Art Connect meetings with Artists in Europe.
I consider the ICAW Documented Art Space Project which is to develop and mount Visual Arts Exhibitions and Residencies in Wales and venues in Europe as a 'celebration of our cultural differences' has become part of my Art Practice.